I've been watching a movie in pieces. It's a long show--over three hours--so maybe it won't surprise you when I tell you it's a Bollywood film. I would watch a few minutes here or there during a break or while I ate lunch, but today I finished watching it. I mean, what else do I have to do, except a million things on my to-do list?
Pardes (translated as "Foreign Land") was released in 1997, the 100th-year anniversary of India's freedom from British rule (and this explains the very strong patriotic "I Heart India" slant of the entire film). It stars
Shah Rukh Khan as the male lead, Arjun, and
Mahima Chaudhry as the female lead, Ganga, with a couple of mainstays of Indian cinema such as
Amrish Puri, who must have had a lifetime contract to never be portrayed as irredeemably bad even if the characters he played were almost always stubborn and arrogant (Puri died in 2005).
All the way through the thing, I was very aware of the cultural and political undertones of the plot line. I'm not nearly savvy enough with the Indian culture, however, to also catch any nuances like subtle sarcasm or satire, so I am not entirely sure if the way they portrayed the American culture was grossly heavy-handed by accident or was just a humorous wink-and-a-nod for Indians who have lived in or who have relatives in the U.S. After I got over being slightly offended at having all Americans stereotyped as shallow and materialistic, it was funny to watch the director mimic some of the tricks of American soap operas: the well-dressed woman full of nefarious schemes and the lingering shots of the scheming woman's face, her mind whirling through further nefarious plots and plans. (FYI, this side story did little to further the overall plot, but it was amusing nonetheless.)
STOP READING HERE UNLESS YOU WANT A FULL REPORT OF THE PLOT. I can't think why you would. Are you bored? If you're that bored, you can watch the full three-plus hours of the movie on Netflix Instant Watch. Be sure to note all the political messages embedded within. Enjoy the fact that the characters constantly break into song and dance. Relish Shah Ruhk Khan's million or so patented soulful glances.
But if you're game, read on.
Spoiler alert.
The plot is as follows: a young, beautiful Indian farm girl named Ganga (Chaudhry) enchants her father's visiting friend (Puri), who is a NRI (Non-Resident Indian) who has made it big in America and has wealth beyond measure. During a visit to his childhood friend's rural farm in his beloved India, the wealthy man asks for the daughter's hand in marriage for his thoroughly Americanized son, Rajiv. Ganga, the perfect example of a pure, sweet Indian girl, will save his son and family from further Western corruption when she comes to live with them in some unnamed American city.
Against the wishes of the mother, aunt, and grandmother, Ganga's father accepts the suit, and Ganga prepares to meet her handsome suitor when he arrives for his first-ever visit to India. Accompanying Rajiv is Arjun, a man who was taken in as an orphan by Rajiv's father and who has served him humbly and loyally ever since. Arjun was born and partly raised in India, so he guides Rajiv through some of India's strange customs (it's interesting to see India-as-a-foreign-land through the eyes of an Indian director).
Rajiv courts Ganga, who finds him suave and handsome. But Ganga develops a friendship with Arjun, as well, whom she trusts to tell her the truth about Rajiv. Arjun, eager to fulfill his assignment from his adopted father to make sure this lovely pure girl marries Rajiv and saves them all as good Indians, glosses over Rajiv's flaws and reassures Ganga that Rajiv is a nice guy and will make a good husband.
Arjun wisely convinces all parties that Ganga should have a chance to visit America before the wedding, since she will be living there and will need to become accustomed to the culture. In order to keep things completely proper, Rajiv and Ganga are formally betrothed before the trip so that the neighbor's gossiping tongues will be stilled.
Once in America, Ganga begins to realize that Rajiv is not the man she thought he was. Like all Americans (including all his relatives), he is corrupt, immoral, materialistic, and completely self-centered. Ganga accuses Arjun of lying to her about Rajiv, but although Arjun realizes he is in love with Ganga, he is too loyal to his adopted father to either steal Ganga away from the increasingly violent Rajiv or even admit to Ganga that Rajiv is a pretty nasty piece of work. Instead, he vows to never see Ganga again and leaves quietly after Rajiv's father senses romantic trouble brewing and creates a business position for Arjun in the faraway city of Los Angeles.
Finally, Ganga runs away from Rajiv after he attempts to rape her during a trip to Las Vegas, and she ends up alone on the mean streets of Sin City. Arjun, alerted to her disappearance (and who happens to also be in Las Vegas, for some reason), manages to find her. At first, he urges her to go back to Rajiv and his family, but she absolutely refuses. When he realizes that Rajiv has attempted to rape Ganga, Arjun accompanies her back to India to return her to her family.
Back in India, Ganga's father is furious with Ganga. He refuses to believe that she is not having an improper relationship with Arjun or that Rajiv is not perfectly upstanding, and a phone call from Rajiv's father convinces him that Ganga is guilty of all of his suspicions. Arjun intercedes before Ganga's father can actually kill her with a sword. Arjun is forced to leave the house, and Ganga is locked into a room to await Rajiv's and his father's arrival.
Meanwhile, Ganga's female relatives and siblings work to get her out and away from the house before she suffers an honor killing. The climax occurs as Ganga, Arjun, Rajiv, Rajiv's father, and Ganga's father and grandmother all end up at some ancient ruins. The young men start battling it out with sticks and fists. Rajiv and his cohorts manage to beat Arjun nearly senseless, but Arjun finally rallies enough to give Rajiv a proper whoopin', just as Rajiv's and Ganga's fathers show up to witness the goings on. Arjun, bloodied and handsome, delivers an impassioned speech to his adopted father in which he admits he lied to Ganga about the rascal Rajiv because of his loyalty to his father and then asserts that he never did anything improper with Ganga, even though he also admits he loves her and always will. Then he sweeps up his backpack and dramatically stalks past Ganga and out into the Indian sunset.
Rajiv's father gives it some thought in the pause that follows, during which Ganga's grandmother pops up from between the columns to deliver some wise words. Finally, Rajiv's father gravely announces that Ganga is still his daughter, as per the agreement he made with Ganga's father. But Ganga will not marry Rajiv, who has been exposed as the cad he is. No, she will marry Arjun, the true son of India.
Thrilled, everyone runs around looking for Arjun, who has gone back to the farm and has been patched up by the children. Arjun's adopted father warmly embraces him, and then Ganga shows up, running down the road towards them (where the heck was she when everyone else was looking for Arjun?). Ganga warmly embraces her own father, the loyalty of a daughter to her father allowing her to overlook the fact that he was ready to kill her a few short hours earlier. Arjun's and Ganga's eyes meet lovingly over their father's respective shoulders.
I'm not kidding when I tell you that Shah Rukh Khan is the master of soulful glances, with or without a sincere welling up of real tears and a trembling of the lips. You tell me if it gets to be a bit much by the end of the film. Although I enjoyed it for the most part, I did find myself yelling exasperated advice to the characters on the screen, but I imagine I did that because my corrupt, immoral, materialistic, and self-centered American tendencies blind me to the beauty other cultures and their practices, such as blaming the woman for being raped. I admit that. Otherwise, fun movie.